My only regret is that the ARC I received of this wasn’t completely in color. This is understandable — graphic novels ain’t cheap! — but I was so in love in with the illustrations on the few pages that were full-color glossy that I know I lost a little bit of the story’s impact by only reading the rest on a cheaper b&w paper (plus it was harder to differentiate between some of the characters in grayscale.)
But oh, that full-color art that I did have! Kate Glasheen works in watercolor and ink, and the effect is magnificent. I mean, I appreciate digital art as much as the next person, but I adored the manual paint effects achieved here. The spills of color felt exceptionally well-suited to telling a story set in the pre-Internet era, before the digital world gave us a greater expectation of precision. Even more subtly, watercolor’s tendency to resist definition really suits a book about a protagonist who feels very much the same way.
Claire is a teenager in 1980s upstate New York, growing up in the struggling industrial town of Troy. They dress like a boy and don’t feel comfortable thinking of themself as a girl, which raises a lot of eyebrows from both strangers and people closer to them. Some people are awesome, like their best friends Greg and Josh, and their Mom and older brother Owen. Some are less great. Into that latter category fall, unfortunately, Claire’s dad and other brother Brad.
Claire just wants to have a normal life, but society keeps insisting on slapping a label on them and being really fucking awful when they do anything perceived as stepping out of the box they’re allowed to exist in. To cope, Claire turns to that mainstay of small town American life: alcohol. After they drunkenly run someone over on their bicycle, they’re court-ordered to rehab.








