Is it weird that I read this book and immediately assumed that the protagonist must have grown up with a super critical parent or guardian who absolutely failed him in preparing him for an autonomous life?
Lol, the irony there, ofc, being me asking if that’s weird, given the title of this book. And I suppose it isn’t “weird” per se more than it perhaps shows a slightly higher level of empathy than the average person might feel on being confronted with Philip’s story. Philip is in his forties and lives with Caroline, his perfectly lovely older landlady, in a coastal British town. He works from home and is thrilled to finally live in an area that he’s dreamed of for so long. He does not, however, seem to have any friends, and actively avoids Caroline’s company even tho her brand of affability extends more to inviting him out to socialize vs being actually intrusive about his personal life and daily activities. Mostly, Philip keeps to himself and spends his days overthinking everything, tho he does go for long walks in town and the surrounding countryside, appreciating both the views and the history of the place.
One day, he finally gives in and accepts Caroline’s invitation to go to a nearby music venue called The Quagmire. He doesn’t care for the band that’s playing but does find himself fascinated by their beautiful lead singer Gina. When he runs into her at his usual cafe, he thinks it must be fate. Sure enough, the two strike up a friendship, of sorts, as he struggles to get out of his own head. But disaster looms over the town, and over their fragile new relationship. Will introverted, anxious Philip get the happily ever after that he can’t help but pine for?








