Selena gets out of a bad relationship by gathering up her dog, a black lab named Copper, spending almost the last of her money, and taking a train two and a half days from the unspecified city where she had lived out into the desert Southwest to a settlement called Quartz Creek, to find her Aunt Amelia. Snake-Eater is set in a nearish future America, though Kingfisher clues readers in on that slowly, gradually doling out the details that show the differences. “Selena knew that the area was a historic zone, which meant that you couldn’t put developments up all over the place and drones were banned, but she hadn’t expected a lack of taxis. Or maybe there just weren’t enough people around for taxis to make any money, which was a somewhat alarming thought.” (p. 8) Selena is a city woman, and Quartz Creek is about as far as you can get from being a city while still being a settlement and not just a homestead.
Selena has been traumatized by the relationship she is getting out of, and she was likely neurodiverse to begin with. One of the ways that Kingfisher shows both is how Selena practices what to say to people, and the bits of her interior monologue that Kingfisher writes out as she works out what to do next. When an older Latino man offers her a ride into Quartz Creek from the station — she has been dragging her suitcase down the dusty and taxi-less road for about a quarter of a mile, and he says “It’s a short drive but a long walk” — her first reaction is to refuse as she thinks of how many things could go wrong. She decides to accept, reasoning that “If they were planning on kidnapping her, it didn’t matter whether she climbed into the truck or not.” (p. 11) Then she reasons through the next step in the interaction:
“Thank you,” she said. Was that enough? Probably not. “I’d appreciate that a lot.” There, that should be good. Just enough, not too much. (p. 11)
She gets into the back of the pickup, where it is too loud for conversation. That gives her time to prepare the next step, too.









