Holy wow, y’all, I think I fell in love, at least a little bit, with this artist here.
Even given my acknowledgement of my vulnerable state of mind at present, it was so refreshing to read of the thought processes of a person and artist so much after my own heart. Derek Boshier was born in 1937 in the United Kingdom. Post-WWII Britain was a time of social upheaval, and the then young boy was thrust from his working class background into middle class schools by government edict. Motivated by his art master to apply to art school instead of returning to his working class roots and becoming a butcher, young Derek swiftly became part of Britain’s Pop Art pantheon alongside David Hockney, R. B. Kitaj, Allen Jones and Peter Phillips.
A scholarship to India changed much of his worldview. Losing all the works made during this stay allowed the young man to embrace optimistic fatalism, and to begin a lifelong process of reinvention. Derek Boshier: Reinventor chronicles all this via a collection of essays and an interview that spans his entire career, accompanied by plates of most of his significant pieces (one notable exception is Airmail Letter, 1961, which is mentioned more than once in the text, making its exclusion something of a puzzle.) It is utterly fascinating to watch his evolution as an artist, from Pop to sculpture to film and back to paint again, and from criticizing the American influence on Britain to criticizing the myth of America from its very heartland.








