I didn’t realize when I picked up this title that it isn’t so much book as objet d’art, but oh, what a lovely, accessible objet it is!
At only twelve pages, this solid little tome is a compact work of art, cramming in arguably two short essays on the subject of Charles M Schulz’s inaugural Peanuts comic strip with archival photos and a marvelous feat of paper engineering. Honestly, the entire construction of this book is a delight, from the tri-part cover designed by Chip Kidd to the carefully constructed pop-up adaptation of said first strip that constitutes the bulk of the volume.
The pop-up parts do a terrific job of making an already artistically clever comic feel even more kinetic, as Charlie Brown “walks” through the first two frames, accompanied by the commentary of two other children in his neighborhood. Well, the commentary of one other child, technically. The other bears silent, if not tacit, witness to one of the most understatedly complex ways to introduce the main character of a 1950s cartoon.
In addition to taking the liberty of reimagining these images in 3D, academic and artist Gene Kannenberg Jr has also colorized them, using era-appropriate commercial techniques that cannot help but evoke the stellar Pop Art work of Roy Lichtenstein. I’m definitely not the first person to look at the use of the Ben Day process in fine art and feel the same kind of satisfaction as I do with pointillism: having it applied here only emphasizes the nature of this book as a tidy little art piece.








