The Cold War by John Lewis Gaddis

Some twenty years after publication, The Cold War no longer matches its subtitle, “A New History,” but it remains a useful book about the conflict that shaped international politics for nearly half a century and, not incidentally, came close to ending human civilization. It is useful in a number of ways. First of all, it covers the entire period, with important arguments about the conflict’s origin in the tensions among the members of the Grand Alliance that won World War II. Second, it emphasizes how the principals in the conflict — the USA and the USSR — viewed the conflict as global. Regional powers naturally saw their region as the one that mattered most, sometimes as the only region worth considering, but while the superpowers considered some places — divided Berlin, for example — as crucial at some times, they never forgot that the conflict spanned the world. Third, Gaddis takes a clear point of view: regulated capitalism and representative democracy are preferable to state socialism and the one-party dictatorship of the proletariat, and thus the Cold War was worth both waging and winning. Fourth, he writes mainly for an audience for whom the Cold War has always been history. Considering that nobody presently under age 50 was an adult when the Cold War ended, this is an increasing and increasingly important share of the population. (Consider: Germany’s current Foreign Minister was under age 10 when the Berlin Wall fell.) Fifth, he does all of this in just over 250 pages of main text.

The Cold War by John Lewis Gaddis

Gaddis also sets out plainly what the book is not. “It is not a work of original scholarship” (p. x–xi); it is a synthesis of his and other scholars’ more detailed studies. He adds that it does not attempt to locate the Cold War origins of later phenomena such as globalization. This is a history of a distinct period. “Nor does it make any contribution whatever to international relations theory, a field that has troubles enough of its own without my adding to them.” (p. xi) Scholarly humor tends toward the dry. Though Gaddis’ humor may be dry, his prose is not, and he avoids the historian’s pitfall of getting bogged down in details. He uses his decision to write a synthesis to his readers’ advantage. Those who want more detail may go and find it; for the others, he shows how the pieces fit together, and how the decision-makers at the time thought the pieces fit together. The two are not the same, and he is not afraid to draw sharp conclusions.

For example, he argues that despite some of Roosevelt’s hopes, the interests of the principal members of the Grand Alliance were too different for wartime cooperation to continue past the surrender of the Axis powers. Even during the war, the Allies competed for positioning in the postwar world. The difference between their behavior and that of, say, the seven different coalitions that fought Revolutionary France and Napoleon before his final fall, is that they managed to keep defeating the Axis as their top and joint priority. None of the Allies sought their own advantage to such an extent that the others would consider a separate peace. Considering the history of coalition warfare, this was no small achievement, but it couldn’t last. Gaddis writes:

Continue reading

Permanent link to this article: https://www.thefrumiousconsortium.net/2024/05/12/the-cold-war-by-john-lewis-gaddis/

An Armenian Sketchbook by Vasily Grossman

By the early 1960s, Vasily Grossman was in an odd position with the authorities of the Soviet Union. He had been a recognized writer starting in the 1930s, and as a war correspondent he was both beloved by regular troops and honored by the state. His novels were serialized in major newspapers, and his time in the hard-fought streets of Stalingrad made him a legitimate hero. Though he survived the anti-semitic campaign of Stalin’s final months, his relations with the state — and thus practically every part of his life — were strained by the censors’ cancellation of a book documenting the crimes of the Holocaust. Relations broke almost entirely when Grossman submitted the manuscript of Life and Fate. The KGB raided Grossman’s apartment and seized everything relating to the book that they could find, up to and including the typewriter ribbons used in composing the book. He was a major writer whose greatest work was both recognized as such by the country’s publishers and deemed utterly unpublishable. (Decisions about the book went as high as the Politburo’s chief ideologist, who is reported to have told Grossman that the book was so dangerously anti-Soviet that it could not be published for at least 200 years.) What was to be done?

An Armenian Sketchbook by Vasily Grossman

The solution that they arrived at was to give Grossman an opportunity to go to Armenia, one of the Soviet Union’s more out-of-the-way provinces in the South Caucasus, and work on a translation of a local author’s historical epic. Grossman did not speak any Armenian, but there was a literal translation that he was to polish and refine into more literary Russian. An Armenian Sketchbook is Grossman’s first-hand account of his experiences there. It is also his last book; he wrote it in 1962, and died of cancer in 1964. An Armenian Sketchbook was published in the Soviet Union in 1967, with some cuts ordered by the censor, under the title of “Good to You!” a direct translation of the customary Armenian greeting.

Continue reading

Permanent link to this article: https://www.thefrumiousconsortium.net/2024/05/11/an-armenian-sketchbook-by-vasily-grossman/

Kim Jiyoung, Born 1982 by Cho Nam-Joo

Kim Jiyoung, Born 1982 is an absolutely furious short novel about sexism in South Korea, and while its incidents and statistics are specific to that country, it can stand in for how badly half of the world’s human population commonly treats the other half, often without even noticing. The book opens with what appears to be a breakdown by the book’s titular character, as she slips into note-perfect imitations of people from her life without noticing — first her mother and then a college friend who had died a year before — falling so deep into the roles that she refers to herself in the third person. Matters come to a head at a family holiday gathering when Jiyoung (the book follows the Korean practice of putting the family name before the personal name) takes on the persona of her mother again and gives her father-in-law a thorough telling-off.

Kim Jiyoung, Born 1982 by Cho Nam-Joo

The book then returns to Jiyoung’s childhood, relating incidents from her life and her family’s history in a matter-of-fact tone that moves the story along quickly and lets readers imagine the details. Cho (the book’s publisher also follows Korean name order) leaves lush description to other writers; she has enough to say with just sketching what has happened, selecting crucial dialog, and occasionally letting readers in on her characters’ thoughts. There is a particular reason for the novel’s style that becomes clear in its hard-hitting final chapter. Jiyoung has a sister who is a couple of years older, and a brother who is six or seven years younger. Their paternal grandmother lives with them in quarters that are initially quite cramped. Cho sets out how things are when Jiyoung remembers herself as a child eating something that was ostensibly for her baby brother:

Continue reading

Permanent link to this article: https://www.thefrumiousconsortium.net/2024/05/10/kim-jiyoung-born-1982-by-cho-nam-joo/

Enemy Child by Andrea Warren

subtitled The Story Of Norman Mineta, A Boy Imprisoned In A Japanese American Internment Camp During World War II.

Many Americans will know of Norman Mineta as a trailblazing Japanese American politician, a moderate Democrat who served in both Democratic and Republican cabinets. He always resisted having any books written about his life until he was approached by Andrea Warren, an award-winning author of books for children, who wanted to make his story accessible to young readers and beyond. Together, they worked on what would be the only biography of him ever written in his lifetime, focusing primarily on how he along with tens of thousands of other Japanese Americans were unjustly incarcerated during World War II.

Norman was your average kid growing up in San Jose, California in the 1930s and 1940s. While his parents were immigrants from Japan, they weren’t allowed to apply for citizenship based on the discriminatory laws of the era. Norman and his four older siblings were all born in the United States however, making them just as American as any of their neighbors, Asian, white, Black or otherwise. While Japanese culture was a big part of the Minetas’ daily lives, they wholeheartedly embraced being American too, and were deeply grateful to be able to live free in ways not possible across the Pacific Ocean.

Continue reading

Permanent link to this article: https://www.thefrumiousconsortium.net/2024/05/09/enemy-child-by-andrea-warren/

Advocate by Eddie Ahn

subtitled A Graphic Memoir Of Family, Community, And The Fight For Environmental Justice.

As a grossly overscheduled person myself, I would genuinely like to know where Eddie Ahn finds the time and energy for everything he does! A day job, volunteer work and a cartooning career? I was both impressed and secretly comforted reading this book, knowing that there really are other people as overextended as I am who, crucially, aren’t just doing things for the money.

And don’t get me wrong, money is great! I would 100% welcome more of it into my life. When Eddie’s student debt was cleared, I cheered! But unlike the parents of Eddie’s generation, I would far rather have a practical minivan that requires minimal upkeep than an expensive, cash-draining status symbol Mercedes. It’s so strange: sometimes I wonder whether the social gains we’ve made as a culture, valuing positivity and kindness over shame and being mean, have any relation to the increasing micronization of economic effort, with gig and hustle culture becoming far more prevalent as late-stage capitalism keeps driving its wedge between capital and labor.

That’s not the point of this quiet, thoughtful graphic novel, tho it certainly examines the different attitudes of generations of Asian immigrants and their American-born kids. Eddie’s parents came to Texas from South Korea for grad school, but realized that the fastest way to make money was to open a liquor store. Eddie grew up believing that he had to get a lucrative professional career in order to repay his parents’ sacrifices — tho a large part of me is all, “Yeah, no, they moved to Texas for themselves, it’s not like they were fleeing abject poverty or danger.” Tho maybe they were and it just didn’t come across in this book! The whole Asian mindset of kids needing to smother their own needs and desires so that their parents can impress their peers just irritates the crap out of me, and I say that as an Asian parent myself.

Continue reading

Permanent link to this article: https://www.thefrumiousconsortium.net/2024/05/07/advocate-by-eddie-ahn/

Der Tod eines Bienenzüchters by Lars Gustafsson

The title — The Death of a Beekeeper — lets readers know right away that this will not be an overly cheerful novel. It is a moving story, eventually a beautiful one in its slightly off-kilter way. Which is only fair because the beekeeper, one Lars Lennart Westin, often called “Wiesel,” is a slightly off-kilter man.

Der Tod eines Bienenzüchters by Lars Gustafsson

The book begins with a few pages of framing story from a first-person but unnamed narrator, presumably Gustafsson himself. He is in the Chisos Mountains in the Big Bend country of Texas, with a friend who is a professor of Old Icelandic at the University of Texas. When I first read the frame, I thought that the friend gave the narrator the notebooks that form the rest of the novel, but checking again I see that that it not true. The main thing that this story does is to introduce the motto that Wiesel will write numerous times in the notebooks that chronicle the last months of his life: We don’t give up. We begin again.

(The frame was odd for me to read because I think I have been in the exact spot that Gustafsson describes, looking out across the border into Mexico, and it is a very long way from anywhere.)

Continue reading

Permanent link to this article: https://www.thefrumiousconsortium.net/2024/05/05/der-tod-eines-bienenzuchters-by-lars-gustafsson/

A Song of Comfortable Chairs by Alexander McCall Smith

The back cover asserts that A Song of Comfortable Chairs is “the one where Mma Potokwani saves the day,” and indeed she does, but this deep into the No. 1 Ladies’ Detective Agency series, getting there is all of the fun. Which is just as well, because all of this book’s storylines emerge from actions of the recurring characters. From time to time, Mma Romotswe worries that her agency does not have enough clients, or takes on too many pro bono cases, and A Song of Comfortable Chairs could be an example of where those worries come from. On the other hand, the off-hand remarks about follow-up, billing, and filing do at least imply the existence of paying clients, even if they are off-stage for this particular book.

A Song of Comfortable Chairs by Alexander McCall Smith

There are several days that need saving. First, the furniture business owned and managed by Mma Makutsi’s husband is facing new competition that appears to have an uncanny knack of knowing just when his store will be having a special promotion, and how deep the discounts will be. The competitors have been cutting their prices even more right at the same time, capturing price-sensitive customers. These rivals are also importing sleek, modern chairs at a price that can’t be matched by traditionally built Botswana chairs. The imports are supported by an advertising campaign that emphasizes their stylishness and modernity, and that is helping the rivals snag customers who are conscious about their image. The competition is really putting the squeeze on Mma Makutsi’s husband’s business, which had hitherto been very prosperous. Having grown comfortable after her marriage, she is spooked by a possible slide back toward the poverty that she knew as a girl and worked so hard to escape.

Continue reading

Permanent link to this article: https://www.thefrumiousconsortium.net/2024/05/04/a-song-of-comfortable-chairs-by-alexander-mccall-smith/

I Am Here by Karen Kilpatrick & Tammy Do

This delightful children’s book is a wonderful reminder of the power of being present and engaged with your kids. It is, astonishingly, one of those books that does double duty as both a comfort to kids and as a nudge to their adult caretakers, handling both responsibilities with aplomb.

First, tho, let’s talk about the art. Tammy Do does amazing work with her multiracial cast of characters, adults and children, as they face all manner of adversity together. With gentle curves and a palette of predominantly pastels, her art perfectly captures the kind of soft yet unyielding love that children need in order to be able to face, endure and overcome the hardships that may come into their lives. Whether these be small things, like being too tired to keep working on a project, or bigger things, like hospitalizations, children are shown being lovingly supported by adults who listen and care. There is generous representation across races, with pains taken to show multiracial relationships as well.

Karen Kilpatrick was inspired to write this book by her own child’s hospitalization, and her love and commitment are palpable throughout. The reassurance that a particular caregiver will be there to listen and love you no matter what is so important for kids, not only to comfort them in the moment, but to help build up their self-esteem long-term. It also sets up a healthy template for future relationships kids might have as they grow older, as they learn how to behave towards and what to accept from others.

Continue reading

Permanent link to this article: https://www.thefrumiousconsortium.net/2024/05/02/i-am-here-by-karen-kilpatrick-tammy-do/

The Book of Japanese Folklore by Thersa Matsuura & Michelle Wang

subtitled An Encyclopedia of the Spirits, Monsters, and Yokai of Japanese Myth: The Stories of the Mischievous Kappa, Trickster Kitsune, Horrendous Oni, and More.

Happy Asian American and Pacific Islander Heritage Month! This year, I have a big slate of topical books by AAPI authors and artists (and adjacent) that I’m hoping to be able to spotlight here, beginning with this delightful and informative illustrated volume of supernatural beings out of Japanese folklore.

Thersa Matsuura is an American expat living in Japan whose popular podcast Uncanny Japan covers the strange myths and creepy lore of her adopted country. Now she’s compiled some of that knowledge into book form, covering dozens of Japanese mythical creatures and heroes in alphabetical order for easy reference and absorbing reading. From the legendary sorcerer Abe no Seimei to the trickster spirits known as Zashiki Warashi, this is a guide to the most common not-entirely-human figures out of popular Japanese tradition.

Each entry gets an Overview, a segment on its Background and Popular Stories, then a section on appearances In Modern Stories. As someone who has greatly enjoyed playing various Pokemon games over the years, learning the inspirations for some of my favorite pocket monsters made the book feel even more immediate and relevant to me. Interestingly, there wasn’t a huge amount of overlap between the stuff covered here and all the knowledge I absorbed while playing the East Asian-inspired Legend Of The Five Rings CCG and RPG, tho in fairness that’s likely due to L5R being designed almost entirely in the US (and tended to focus on high drama rather than supernatural whimsy.)

Continue reading

Permanent link to this article: https://www.thefrumiousconsortium.net/2024/05/01/the-book-of-japanese-folklore-by-thersa-matsuura-michelle-wang/

Double Booking: The Tail of the Mummy Cat by Chas! Pangburn, Kim Shearer & Nic Touris

Oh gosh, I hope this is the first in a series, as it was just absolutely delightful!

Siblings Nan and Otto are pulled out of art camp one summer when their travel blogger mom gets a plum, last-minute assignment in Egypt. Fortunately, her employer will pay for her kids to come along with her. Nan, who aspires to follow in her mother’s footsteps, is thoroughly excited by this. Otto, who would much rather be drawing comics in art camp, is far less so.

Despite Otto’s misgivings — and several speed bumps including seasickness while taking a felucca ride — Egypt is pretty amazing. When the kids are allowed to tour a pyramid site, they sneak off to slip inside one of the famed constructions. Nan accidentally loses her bracelet, and as she’s searching for it, Otto makes the acquaintance of the spirits of a mummified pharaoh and his cat, Princess Tiaa. When Tiaa runs away from the pyramid, however, Otto gives chase, setting the siblings on a madcap journey of adventure and discovery. Perhaps more importantly, tho, they learn how to understand each other better, and commit to at least trying to be better siblings to one another.

This delightful graphic novel is actually told in two parts, from the perspective of each of our protagonists, in a very cute flipbook conceit. After reading Otto’s story, readers are meant to flip the book over and read Nan’s side — arguably, you could do it the other way around, too. Chas! Pangburn and Kim Shearer draw from their own experiences as siblings to shape the book’s conflicts and differing perspectives, rendering the entire experience one that feels both lived in as well as familiar to any member of the older sister-younger brother dynamic (like myself!)

Continue reading

Permanent link to this article: https://www.thefrumiousconsortium.net/2024/04/30/double-booking-the-tail-of-the-mummy-cat-by-chas-pangburn-kim-shearer-nic-touris/