The 2024 Hugo Award ceremony is about to start, and I am watching the livestream, so this post is nothing if not timely. Maybe even by the time I have finished it, I will know how my choices compared with those of the other voters. Here are briefish notes on each finalist, in ascending order of my preference.
“Introduction to 2181 Overture, Second Edition,” Gu Shi /〈2181序曲〉再版导言, 顾适 translated by Emily Jin. In the next few decades, humanity learns how to master cryosleep, a method of hibernation that effectively allows some people to skip forward decades in time. The technology was originally used for people with terminal diseases; they were placed into hibernation in the hope that advancing medical knowledge would allow their illness to be cured at some point in the future. That changed quickly, and “cryosleep became a common mode of transportation—across time, rather than space.” (p. 4) The story explores some of the ramifications of mass migration through suspended animation, not least as a means for shoving problems onto other people. The “Introduction” is structured as just that, an introduction to another literary work the 2181 Overture, featuring excerpts and analysis but without going to the trouble of telling the story directly. The stories are alluded to, gestured toward; as a reader, I would like to experience them in full, rather than just get the academic notes. I felt too distanced from the matter to care very much.
“I AM AI” by Ai Jiang. The first-person narrator is a gig worker, who is hard pressed by clients in a rough combination of turbocapitalism and influencer-like fickleness. She is artificially enhanced in various ways, but that also means that she has to charge her battery or she dies. The story is a mix of her efforts to stay ahead of business, to lend power from her battery to various people she is helping, her desire for more augmentation, and the consequences of some of those choices. There are also perspectives on New Era, a generalized monopoly that is her competitor and an overwhelming power in the city where she lives. It was fast-paced, but also easy to see where the story was going.









