And now for a little counter-programming… (she says, having already bought a huge stack of gifts online.)
Subtitled Fantasy and Science Fiction from a Powerful African Voice (and with a foreword by Eugen Bacon,) this collection definitely functions as both a critique of capitalism and other exploitative systems, as well as a celebration of Ghana and of African speculative fiction. Exactly half of the eighteen stories here were published elsewhere first: the rest get their debut in this volume. Several of the stories are only vaguely speculative flavored. Unsurprisingly, those prove the weakest in an ultimately very strong collection (and are kept towards the back, so if you tire or need to go read something else, you won’t really be missing anything if you save the last handful of stories for a later date, IMO.)
The best thing about these short stories is the way they exemplify the strengths of the form. There isn’t a lot of fluff here as readers are plunged straight into worlds at once familiar and strange. From the folk horror of Lady Abra’s Butterflies to the solarpunk setting of The Feeding Ground, the vast majority of Cheryl S Ntumy’s worlds need little clarification, seeming to exist as naturally as thought. The only exceptions to this are The Way Of Baa’gh, set in a shared universe I was entirely unfamiliar with before reading this collection, and Dream State, which raises more questions than it answers in the persons of the Parfaits. Everything else is satisfyingly self-contained.








