Wow, reading this poetry collection really brought up a lot of issues I have with media and identity, none of which are meant to cast aspersions on this book at all, but which definitely distracted from my enjoyment of it.
So let’s table that discussion for at least the end of this review, and discuss the actual book instead. This collection of over sixty poems is mostly centered on the author’s experience living in Michigan’s Upper Peninsula: fitting given that he’s a former poet laureate of the area. There are a lot of poems that feel very specific to the region, a sort of inside baseball that I’m not a fan of given my belief that the best poetry makes it a point to relate, to embrace the universal or at least to paint a picture vivid enough that people who have no experience with the subject matter can still go “Ah! I see!”
But there are also a lot of poems here that succeed at making at least this reader feel what it’s like to experience life in the UP. The title piece, for example, is a gorgeous love poem nestled in the local environment: I didn’t know before looking them up what a sugarbush or a sundog are, but the rest of the poem gives it all enough context to make lyrical sense. Lake Superior is another beautiful work that masterfully draws past, present and concerns for the future into one affecting piece. Land Acknowledgment, 1842 Ceded Territory does the same, and is easily one of my favorite pieces in the book. These poems all work that delicate balance of “here are some specific things about this place that I think you should know, related to universal themes that you will already recognize, in carefully calibrated language.”








