Because I had enjoyed Sumi so much as a character in Come Tumbling Down, I picked up Beneath the Sugar Sky, which I had somehow missed when it was a Hugo finalist in 2019, expecting to find more of her and of Confection, the Nonsense world where she found her proper home. That turned out to be an error along the lines of watching “The Search for Spock” because you wanted to see more of Spock.

Sumi was dead, to begin with. Then her daughter Rini fell from a door in the sky into the turtle pond at Eleanor West’s Home for Wayward Children. Rini was born in Confection to Sumi and a candy-corn farmer in the years after Sumi defeated the Queen of Cake and ended her despotic reign. None of those events could come to pass now that Sumi was killed in Down Among the Sticks and Bones. Causality runs a bit differently in Confection, or Rini wouldn’t exist at all, but it is catching up to her. Having a mother who died before she could be born is gradually causing Rini to come undone. In the time that it has taken her to make her way to the Home, part of her hand has disappeared into the nothingness that will be her fate if Sumi can’t be returned to the living. Can Eleanor and her students help?
Despite the Home’s rule against quests (the other two are “No solicitations. No visitors.”), that is precisely what four of them do. Kade, the only student who does not want to return to the world behind his personal door, is Eleanor’s second in command. Christopher longs for his Skeleton Girl and the happy bones of Mariposa; if any of the current students know enough about Underworlds and returning someone from death, it’s Christopher. Cora is a new student and until recently a mermaid. She’s one of the two that Rini nearly lands on at the turtle pond. Nadya is the other, and she’s also looking for a way back to a water world. Rini has a bracelet from a wizard on Confection that can open doorways between the worlds, something that is usually nearly impossible, and soon the five of them are off to try to reassemble Sumi’s body and reunite it with both her spirit and a spark of life that will bring her back and let Rini be born. They will have to hurry, though. Rini is losing herself at an alarming rate.
Rini is fun to have around. What makes perfect sense to her strikes the students as very odd, and she has a direct way of putting things that still leaves the other characters perplexed. She was, for example, naked when she fell from the sky. Which she characterizes thus: “‘A cake’s a cake, whether or not it’s been frosted,’ said [Rini] primly.” (Ch. 3)
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