A rare blunder by Erast Fandorin, Imperial Russia’s foremost detective, puts him on the trail of an assassin and revolutionary in the summer of 1914, a trail that leads to Baku, oil-spattered boomtown and possible crucible of a plot against the very order that Fandorin upholds. The city itself is a bubbling pool of money, violence and corruption, and even Fandorin must tread carefully and watch for treachery everywhere. Indeed, he is attacked the moment he steps off the train from Tiflis (present-day Tbilisi) and is lucky to escape with his life. Someone with the access to the innermost communications of the tsarist regime wants him dead.
To make matters more complicated, Fandorin’s wife Eliza — whom he married at the end of All the World’s a Stage — is now one of Russia’s greatest movie stars, and she is filming an extravaganza in Baku. More than a few bandits or political factions would like to make a splash, or at least a huge sum of money, by disrupting filming and kidnapping the famous actress. To make matters even more complicated, three years of matrimony have revealed to Fandorin that the two of them are incompatible, and he wants nothing more from her than an honorable way out. Nevertheless, he must play the role of a devoted husband — and in the Caucasus of 1914 that may also mean the threatening role of a jealous husband.
Just days after Fandorin’s arrival in Baku the telegraph brings news that the heir to the throne of Austria-Hungary has been assassinated in Sarajevo. Readers, but not the novel’s characters, know that the clock is ticking down to the outbreak of the First World War, a war that will bring down everything that Fandorin has spent his career propping up.
The mysteries multiply, and plots thicken. Armenians and Azeris carry out vendettas, strikers organize against oppressive oil magnates, entrepreneurs try to protect their millions by buying off bandits and putting spanners in their rivals’ works, the Russian government tries to maintain a semblance of order while remaining resolutely on the take. It’s a potentially head-spinning whirlpool of scum and villainy, but Akunin carries readers along with aplomb. The pace never flags, as Fandorin lurches from breakthrough to setback, losing allies and gaining assistance from unexpected quarters. His prey remains elusive and capable of counterattack, to say nothing of the ordinary hazards of being a visible and wealthy outsider in Baku.









