Jul 24 2022
Henryk Sienkiewicz, an early Nobel laureate, wrote historical novels set mostly in the days of the Polish-Lithuanian Commonwealth that, like Shakespeare’s history plays, have a resonance well beyond their initial audiences and historical settings. Sienkiewicz lived and wrote at a time when Poland’s imperial neighbors had erased it from the map of Europe, and yet …
Permanent link to this article: https://www.thefrumiousconsortium.net/2022/07/24/on-the-field-of-glory-by-henryk-sienkiewicz/
Jul 22 2022
Seeing Things returns to a greater length, though many of its poems — particularly the 48 in Part II, “Squarings” — are short; the squarings are all twelve lines each. “Glanmore Revisited” offers seven sonnets in its short sequence. “The Schoolbag” is also sonnet length, while “1.1.1987” and “An August Night” are three lines each. Compact …
Permanent link to this article: https://www.thefrumiousconsortium.net/2022/07/22/seeing-things-by-seamus-heaney/
Feb 25 2022
Only having read The Odyssey could be a bit of a hindrance in addressing a collection titled The Triumph of Achilles, especially when my notes show that that the title poem is one that struck me as I was reading through. Even without commanding the details of The Illiad, though, I liked the considerations Glück …
Permanent link to this article: https://www.thefrumiousconsortium.net/2022/02/25/the-triumph-of-achilles-by-louise-gluck/
Feb 23 2022
The receipt tucked away in the pages of this collection tells me that I bought it in early 1997, in Washington, DC. At that time, I would only have read Heaney’s Nobel lecture. His Beowulf, the first poetic work of his that I read, was still two years from publication. There’s another receipt in the …
Permanent link to this article: https://www.thefrumiousconsortium.net/2022/02/23/selected-poems-1966-1987-by-seamus-heaney/
Feb 06 2022
Seamus Heaney followed his longest collection, Station Island, with one of his shortest, The Haw Lantern. Like several of his other collections, The Haw Lantern has a tripartite structure; unlike the others that I have read so far, its sections are not explicitly marked. Nevertheless, the ten sonnets that Heaney wrote in memory of his …
Permanent link to this article: https://www.thefrumiousconsortium.net/2022/02/06/the-haw-lantern-by-seamus-heaney/
Dec 12 2021
I still struggle with a notion I first mentioned when writing about Heaney’s inaugural collection, Death of a Naturalist, the idea that with each collection of poetry I should take time to live with it, read through several times, maybe even commit bits to memory so as to have them always at the ready. I …
Permanent link to this article: https://www.thefrumiousconsortium.net/2021/12/12/station-island-by-seamus-heaney/
Sep 19 2021
Glück divides Descending Figure into three sections, “The Garden,” “The Mirror,” and “Lamentations,” though I cannot say that I found the division particularly helpful or enlightening. Certainly there is a lot of lamenting in the final section, but there is a lot of it in the rest of the collection as well. This is a …
Permanent link to this article: https://www.thefrumiousconsortium.net/2021/09/19/descending-figure-by-louise-gluck/
Aug 31 2021
In contrast to the choice he made for North, Seamus Heaney left the poems in Field Work as a continuous furrow, not divided into parts. Sections still emerge naturally from his arrangement of the poems. The ten “Glenmore Sonnets” give the collection a firm spine running straight up and down the middle of this body …
Permanent link to this article: https://www.thefrumiousconsortium.net/2021/08/31/field-work-by-seamus-heaney/
Aug 14 2021
One of Orhan Pamuk‘s great virtues as a storyteller is his ability to create situations in which several different versions of reality are all possible within the narrative that he has established, and it is — at least for a time — left to the reader to decide which one is the truth of the tale, or …
Permanent link to this article: https://www.thefrumiousconsortium.net/2021/08/14/the-red-haired-woman-by-orhan-pamuk/
Aug 11 2021
In her note at the start of The First Four Books of Poems, Louise Glück writes of her goals before and after The House on Marshland: “After Firstborn, I set myself the task of making poems as single sentences, having found myself trapped in fragments. After The House on Marshland, I tried to wean myself …
Permanent link to this article: https://www.thefrumiousconsortium.net/2021/08/11/the-house-on-marshland-by-louise-gluck/
Al Singh
Doug Merrill
Doreen Sheridan
Emily Lauer
John Pitzel
Lars N. Goldschlager
Laura Eilers
Professor X
Robert Maedgen
Sylvere Ap Leanan
The Shire