I loved “The City Born Great,” the 2016 short story (and 2017 Hugo finalist) that was the seed of this novel. “The conceit of the story is that great human cities have a life of their own. Maybe that life awakens quickly, maybe it takes centuries or millennia, but at some point the genius loci becomes a thing in itself. Birth is never easy, not every potential new life makes it into the world, and Jemisin’s story tells the tale of New York’s attempt…”
In its short form, I found the story irresistible: “What makes this story great is the sheer exuberance with which it’s told. It’s fast, it’s furious, but it’s also tremendous fun. And sure, it’s a power fantasy, too, but if that gives readers sentences like ‘I backhand its ass with Hoboken, raining the drunk rage of ten thousand dudebros down on it like the hammer of God. Port Authority makes it honorary New York, motherfucker; you just got Jerseyed.’ then let a thousand fantasies bloom. It’s a story about life, and living, and that’s what it’s most full of: the very stuff of life.”
The City We Became extends and deepens “The City Born Great,” while keeping the essential story: New York wants to live, to become its most vibrant, most colorful self; something else wants to stop that from happening. A slightly revised form of the short story becomes the novel’s prologue. Instead of the battle it depicts marking the birth of the living city, it’s just the opening scene, an incomplete start, leaving the avatar of New York in unknown circumstances and its enemies still active. Each of the boroughs also has an avatar, and together they must complete the tale, though they do not know that from the start. Manny, newly arrived in the city, his past forgotten already, sharp, fast, not averse to controlled violence. Bronca, oldest of the five, daughter of the Lenape who were around when the Dutch came calling, harried administrator of an arts center. Brooklyn Thomason aka MC Free, in her younger days a rapper, now a city councilwoman, Black, formidable, and worried about her family. Padmini Prakash, Queen of Mathematics, immigrant living with her auntie, thrilled to have a chance in New York to use her abilities to their fullest, not so thrilled about all that entails. And then there’s Aislyn Houlihan, teenage daughter of an Irish cop on Staten Island, too afraid to go into the city, wanting more than anything to be left alone in the world she knows.









