A Blade So Black (The Nightmare-Verse #1) by L.L. McKinney

Wow, this was probably my most disappointing read this year so far.

After reading L. L. McKinney’s really terrific short story in the Wonderland anthology, I felt compelled to look her up, and found the listing for this novel in my library’s e-collection. I nearly swooned at the awesome cover, and the description (Buffy meets Alice in Wonderland, with a black protagonist from Atlanta) had me all in. I was so excited to finally get a chance to read this book, and then… I read the book.

A Blade So Black by L. L. McKinneyReader, it was a struggle. The story itself was fairly pedestrian and our heroine, Alice, was your typically annoying self-centered, uncommunicative teenager. And still it would have been fine except for the godawful writing. I don’t know what the hell was going on, but by the time I read “grown” where the author clearly meant “groan,” I was starting to wonder whether an editor’s red pen had ever touched any of these pages. The grammar was just so inconsistent as to be completely atrocious. I literally don’t care what form of language an author uses in dialogue quotes, and I have zero trouble navigating AAVE, but if you’re writing a third-person narrative in standard English, then you need to consistently use standard English in your narrative, non-dialogue text. Don’t randomly use “outta” on one page but go with “out of” for the same context everywhere else. Be consistent.

And “on accident” is bad grammar in any form of English. People who say otherwise are even stupider than rigid adherents of the Oxford Comma bamboozle.

It seems almost petty to then grumble about how the action sequences are all a jumble, and how the only at all interesting/realistic people in the story were Alice and her mom. It just felt like mediocre fan fiction, which is a pity because the idea behind it really has so much potential. Idk, maybe Ms McKinney’s writing improves significantly from here on out? Her short story was really good, so I’m open to being persuaded to read the sequel to A Blade So Black (and, honestly, isn’t that just the best title?) but I won’t go looking for it on my own.

Permanent link to this article: https://www.thefrumiousconsortium.net/2019/11/11/a-blade-so-black-the-nightmare-verse-1-by-l-l-mckinney/

Speaking of Revolutions

“Another young woman, an employee of the Central Institute for Physical Chemistry, was on her way home from a visit to a sauna when the news of the night inspired her to head for Bornholmer [Strasse]. Her name was Angela Merkel. She had chosen a career in chemistry, not in politics, but [November 9, 1989] would change her life. Merkel had been born in Hamburg in 1954, and even though she and her immediate family had moved to East Germany in 1957 [her father was a Lutheran pastor], she still maintained contact with an aunt in her hometown. On the night of November 9, once she made it to West Berlin, Merkel would call that aunt to say that she had crossed the border.”

More here.

Permanent link to this article: https://www.thefrumiousconsortium.net/2019/11/09/speaking-of-revolutions/

How to Start a Revolution: Young People and the Future of American Politics by Lauren Duca

I’m not one of those people who enjoys underlining inspiring/meaningful passages in a book but oh wow, was I tempted to here!

Full disclosure, I am an old. While born at the tail end of Gen X, I find myself often exhibiting trademark Millennial behavior, likely because I grew up overseas and am unafraid of technology. Regardless, I haven’t been a young person for at least a year, depending on one’s interpretation of youth (which, in some organizations, goes up to 40, a fact which once blew my much younger mind.) So this book probably shouldn’t speak to me as much as it does, but it does.

How To Start A Revolution by Lauren DucaIn 2016, I finally became an American citizen after years of hemming and hawing, because I wanted to be able to say I’d voted for Hillary Clinton against what, to me, was a blatantly obvious example of creeping authoritarianism. On the one hand, I thought, “This is America. We don’t vote for strong men espousing banana republic policies. We’re too smart for that.” But having grown up in a paternalistic regime, I wasn’t dumb enough or comfortable enough in my immigrant status to count on other people doing the right thing when I could be doing the right thing. I donated to Hill’s campaign, put up posters and voted. Watching the election results as they came in three years ago was like viewing a slowly unfolding horror movie: by the time the Pennsylvania results rolled in, I could only mutter, “Thanks for nothing, Pennsylvania” and go to bed, hoping for a miracle.

There was no miracle forthcoming, alas, and I spent that morning crying my eyes out. Even living in my progressive Maryland suburb, with neighbors I love and feel safe around (except for that one couple: fuck those douchebags,) I had never felt more afraid to be a female Asian Muslim immigrant. Weirdly, it took seeing the raw grief of a straight white male friend to finally comfort me. Not that misery loves company — I had plenty of that from other friends who felt freshly vulnerable for being a member of a minority — but because it felt like we had allies, that not all of majority America was complicit in the rejection of those of us who weren’t part of a white evangelical monoculture. “But what,” I thought, as I recovered from my downward spiral of emotion, “can I do next?” I upped my charitable donations, subscribed to quality journalism (I’m still sad Teen Vogue was forced to go from print to digital — guess I’m not that much of a millennial after all,) voted in the midterms, and made my voice heard to both my elected representatives and to politicians of note. There’s nothing more nerve-wracking to me as a quasi-millennial than to call a number in order to log my objections: I sat in my bathroom rehearsing the speech I’d written on my tablet before calling and, blessedly tho perhaps less effectively, speaking to voicemail. And still this president and his cronies are in office, squeezing as much personal gain out of their positions and our nation’s coffers as they can. “Am I not doing enough?” is one question I often ask myself. Another is, “but what else can I realistically do?” I have a job, three small kids and an attachment to 8 hours of sleep a night, and I’m still exhausted half the time.

And that’s where this terrific manual comes in. How To Start A Revolution begins with a snapshot of that galvanizing time around the 2016 election when young people especially realized that politics could not be impenetrable if a failed businessman turned reality TV star spouting phrases deeply antithetical to American values could become President. It captures the rage and helplessness that permeated large swathes of the country as majority opinion was defeated by what Lauren Duca cleverly terms the “political-industrial complex”. It addresses the reasons that allowed this state of affairs to come to pass, but then showcases examples of how young people are fighting back. And then, most importantly, it tells readers what we can do to help.

It’s a really simple three-step process, that I’ll share here on the assumption that Ms Duca won’t mind: Learn. Decide. Act. She enjoins us to educate ourselves on the issues, reading a balanced variety of accounts from reputable sources. She wants us to make informed opinions on the issues, and then do what we can to put our beliefs into action. This last can be as simple as not staying quiet when someone we know spouts a political talking point we know to be bullshit. It’s about showing up and being heard, in any of the many small ways that we as citizens in a democracy must help to maintain the civic health of our government and community. Not all of us can run for office or spearhead a campaign — hell, not all of us can even actively volunteer or donate! — but we can all do what we can, to learn, to decide and to act on our beliefs. None of us are perfect, but we can all help to keep perfecting this grand American experiment in freedom and democracy.

Ms Duca’s book has been an eye-opener both for how we got here and for what we can do next. Written in a highly accessible style, it’s the perfect manual for anyone, young person or otherwise, who wants to change American politics for the better. For being less than 200 pages, it’s a surprisingly dense read, and one I highly recommend to anyone who cares about the future of our country.

I’m planning on conducting a Q&A with Ms Duca in the near future regarding this book, so I’ll keep you posted on how that goes. It’ll be a bit of a departure from our usual author interview; as such, I’m soliciting questions you might like to see answered! Comment here or contact me personally: you know the drill.

Permanent link to this article: https://www.thefrumiousconsortium.net/2019/11/08/how-to-start-a-revolution-young-people-and-the-future-of-american-politics-by-lauren-duca/

Bringing Down the Duke (A League of Extraordinary Women #1) by Evie Dunmore

There’s an almost Hardy-esque quality to this book, from its impoverished protagonist’s longing for higher education to the frank discussions of sexual transactionalism to the desperately whipsawing balancing acts between respectability and happiness. Of course, since this is a romance novel written in the modern era, our main protagonists do find their ways towards a happily ever after, but the narrative along the way treads on topics rarely grappled with in the oeuvre. Reputation is a really big deal in Bringing Down The Duke, and I honestly can’t remember reading another romance novel where the renunciation of such comes in the form it does here. I’m probably being terribly vague so first, some details:

Bringing Down The Duke by Evie DunmoreAnnabelle Archer is the spinster daughter of a country curate who has been living as the helpmeet of her cousin’s large family since her father’s death. Over-educated but with no inheritance, her prospects seem bleak, till she wins a scholarship to attend Oxford University as one of its first women students. The catch is that she must participate in the suffrage movement that is sponsoring her, handing out pamphlets, buttonholing politicians and demonstrating for the cause.

Sebastian Devereux, Duke of Montgomery, has just been charged by Queen Victoria to steer her beloved but foundering Conservative Party to electoral victory. The last thing he needs is to be accosted by a beautiful, green-eyed bluestocking outside Parliament, especially when he’s also busy worrying about his younger brother, Peregrin, who seems determined to fritter away his life in the same way their father had. So when Peregrin invites Annabelle and several of her suffragist friends to a house party at Claremont, their estate, Sebastian wants nothing to do with them. And Annabelle, even though she’s been tasked with attempting to persuade Sebastian of the merits of her cause, soon finds herself at odds with a man she discovers she cannot manage in the way she does most of the men in her life.

As the two (inevitably) butt heads and fall in love, Evie Dunmore throws up such a series of unexpected but still heartrendingly realistic obstacles that I was actually afraid they might not make it to their HEA! Annabelle’s desperation to maintain her ambitions without forfeiting her social standing or, worse, placing herself in a legally precarious position is underscored by the backdrop of England’s 19th century women’s rights movement. A hundred and forty years on, the social and legal barriers to a prominent member of royalty marrying an almost literal nobody have broken down considerably, and women aren’t consigned to whichever role the most powerful men in their life decree. But back in the day, women were almost entirely at the mercy of their menfolk, and Ms Dunmore depicts this fraught era, where women were beginning to demand to be seen and treated as independent human beings, with insight and skill. I didn’t expect the depth or meaningfulness of the plot twists but I greatly enjoyed them, even as my heart suffered for the pain Annabelle endured.

One thing I did not enjoy suffering through was the occasional but extremely egregious typo. The worst one I can recall is the use of “withered” for weathered stone, and quite early on in the book too (I honestly try not to dwell on typos but sometimes they are so bad and become so numerous that I cannot let them go.) I certainly hope the romance department is getting its fair share of editorial staff, because that should have been caught very early in the publishing process. That aside, a terrific historical romance that doesn’t paper over how much life used to suck for women in Victorian England. I shall definitely keep an eye out for more in the series!

Permanent link to this article: https://www.thefrumiousconsortium.net/2019/11/06/bringing-down-the-duke-a-league-of-extraordinary-women-1-by-evie-dunmore/

Anything For You (Valerie Hart #3) by Saul Black

Anything For You by Saul BlackWhen San Francisco homicide detective Valerie Hart is called to her latest crime scene, a deadly assault in an upscale neighborhood, she isn’t prepared for the victim’s identity, or for the emotional turmoil it brings to her newly reconstructed life. Having put her days of robotic alcoholic promiscuity behind her, she’s reconciled with her husband, police computer technician Nick. Their relationship has improved to the point of trying now for children. So the reminder of an illicit liaison from the days she put behind her is the last thing she needs.

Thing is, as far as affairs go, it was all rather tame. Valerie and prosecutor Adam Grant had gotten drunk together one night then gone back to her place, where they had proceeded to fall fast asleep. There had been some preliminaries but no consummation, and the two had been on smiling terms on the few occasions they’d seen each other afterwards. As such, Valerie is reluctant to recuse herself from the case: she’s a good investigator and she wants to find justice for a person whom she liked but didn’t like enough to allow herself to get emotionally compromised over. Plus, she’s morbidly curious as to Rachel, the wife Adam told her he’d never cheated on.

For good or ill, morbid curiosity is one of Valerie’s driving factors:

In her early teens she’d dated a guy who had a fetish for getting into buildings when they were unoccupied. Together they broke into (or concealed themselves in until after hours) their school, the bus depot, the local swimming pool, a couple of cinemas, and three or four private residences. They did no damage, took nothing. Just went through various drawers and wardrobes and cupboards, barely exchanging a word. Neither of them knew quite why, but it was irresistible. Incredibly, they never got caught.

Now there was no getting caught. Snooping was what she was paid for. Being Police was a backstage pass to the world behind the world, the people behind the people, the lives behind the lives. The dirty thrill of it had never diminished. Finding what was hidden. The dark secret. The awful treasure. That was the force that drove her. Justice was an incidental by-product.

Fortunately, Valerie is usually pretty good at finding justice, too, not only for the dead but for those who survive. The object of her curiosity, Rachel, was also injured in the attack that killed Adam. Prints found at the scene point the finger at Dwight Jenner, an ex-con Adam helped put away. Dwight has since disappeared, and the key to finding him lies with the mysterious blonde bombshell of a girlfriend whose involvement with the Grants’ lives may go back further than anyone realized.

This was an impressively crafted mystery, particularly in the way Saul Black uses the shifting perspectives of Valerie and the mysterious blonde to manipulate the readers’ sense of reality. I was actually less shocked by whodunnit than by the clever revelation of how. I honestly can’t remember the last time I was this impressed by the use of a framing device in a mystery novel.

Valerie is also a refreshing heroine, particularly for a police procedural. She’s aware enough of her own flaws to understand why she sometimes makes bad choices, and is smart enough to at least try to resist. She knows she’s damaged, and the thought of motherhood does little to assuage her fears regarding her own moral character. This case especially, with its tangled relationships and twisted, fearsome loves, will dig up some really strong feelings as to what she herself might be capable of:

So far Valerie’s love had been for her parents and her sister and Nick. Would she kill to save them? Undoubtedly. Would she kill to avenge them?

No, she supposed, if she had impregnable faith in the law.

Which she did not. How could she? She was the law–and her faith in herself was ravaged, riddled, rotten with doubt.

Anything For You is a thrilling page-turner that starts out slowly before rocketing through twists galore to uncover the identity of a woman who would kill for love. It can be brutal in its examinations of sexual desire and misconduct, but still centers the experiences and opinions of two strong women with opposing senses of moral justice. Valerie especially is an impressive creation: frank about her flaws, uninterested in being nice, and dedicated to discovering the truth, no matter where it may lead her.

Permanent link to this article: https://www.thefrumiousconsortium.net/2019/11/05/anything-for-you-valerie-hart-3-by-saul-black/

From Page To Screen: Alias Vol. 1 by Brian Michael Bendis & Michael Gaydos

I came to this title from Powers, back when I was still actively collecting comic books in the earliest years of the 21st century. To be perfectly honest, I didn’t really understand it. Yes, I thought it was groundbreaking that Marvel Comics was finally releasing R-rated comics, years after the success of DC’s Vertigo line had proven that such could be critically and commercially successful without diluting the publisher’s mainstream brands. And while I enjoyed what Brian Michael Bendis was doing with Michael Avon Oeming over on Powers, I didn’t really understand what he was saying there either (I’m pretty sure it was Mr Bendis’ work on Ultimate Spiderman that finally clicked with me narratively.)

Alias Vol 1 by Brian Michael Bendis and Michael GaydosSo when Netflix and Marvel released Jessica Jones, I thought fondly back on my experience with the comic book that had birthed her, even as I didn’t let it color my impression of the show. Which is a totally fine TV show, btw. The first season is definitely its best, but I’m still mad as hell about how they ruined one of my favorite comicbook characters in the second onward: fortunately, this is hardly a canon depiction (I hope.) Anyway, I knew I had this volume locked up safely from my children’s destructive impulses in my office, and only dug it out the other day to loan to the neighbor across the street. Of course, I decided I needed to refresh myself of the contents first.

I don’t know what it is about the ensuing fifteen years but, after my re-read, I finally understand why Jessica didn’t want to be a superhero. The final pages, where Jessica is so happy at finding someone who understands her, actually make sense to me now. Perhaps when I was younger, when I was single and before I became a mom, it was unfathomable to me that anyone wouldn’t want to be a hero. And I don’t mean that to say that you shouldn’t aim to be your best self, and a good, courageous person who fights for justice, but you don’t need to do that in the spotlight, constantly pitting yourself against cosmic powers beyond your comprehension. Not everyone is cut out for that, and that’s okay. It’s okay to just be an everyday hero, and not someone who has to risk their life saving the world as a matter of course.

Michael Gaydos’ art also holds up really well, even as it constantly astonishes me how Jamie Neumann, the actress who plays Brianna in the third season, is a dead ringer for Jessica Jones’ comic book depiction. I love Krysten Ritter but I come from watching her in romantic comedies and Don’t Trust The B– In Apt 23. She does a great job as Jessica but I also wouldn’t mind seeing someone less ethereally pretty in the role. Also, she so rarely gets to show off her comedic chops as Jessica that it seems almost a waste of her talents. Rumor has it she’ll be reprising the role in the upcoming Disney+ streaming service, continuing to diverge from canon, I imagine (tho, man, I cannot wait for her and Luke Cage to get back together again!)

Anyway, this is a really terrific look at the other side of being a superhero, the side that just wants to be normal but doesn’t really know how to cope. I enjoyed it a lot, coming back to it after fifteen or so years, more so than the TV show to be honest. Perhaps I’ll change my mind about that media in another fifteen. For now, I’ll just appreciate the comics a little more than I did before.

Permanent link to this article: https://www.thefrumiousconsortium.net/2019/11/04/from-page-to-screen-alias-vol-1-by-brian-michael-bendis-michael-gaydos/

The Fall of the Kings by Ellen Kushner and Delia Sherman

I hate to damn The Fall of the Kings with faint praise because it’s fine, really it is. It’s just that this book follows the perfect Swordspoint and the extremely good The Privilege of the Sword, and while The Fall of the Kings is an interesting combination of a university novel in a fantastic setting with a possible crisis of legitimacy in the city that forms the setting, it pales in comparison to the other two.

The Fall of the Kings

The story mostly follows Theron Campion, a young nobleman, designated heir of the Duchy of Tremontaine, sometime student at the University, prone to great passions. The city is never named, though to readers of the series it has come to be known by the name of its original and now most raffish district, Riverside. At the time of Swordspoint, Riverside was a dangerous district; sixty years later in The Fall of the Kings it is still poor, but no longer a place where casual killings are common. Theron’s family maintains something of a residence there, an eccentric nest for eccentric nobles, knocked together from a row of houses. The Hill is where most nobles live and intrigue; the University forms another quarter, ranged with the Middle City of burghers and merchants and much else besides.

Kushner and Sherman introduce a young magister of the University, Basil St Cloud, who is breathing fresh life into the study of ancient history through the novel method of seeking out original sources, rather than following the accepted scholarly practice of interpreting canonical texts. He has enthusiastic academic followers, and of course he has scholarly rivals. As is the wont of medieval-ish universities, disputes spill into taverns and sometimes turn into brawls. St Cloud begins to draw the attention of the powers-that-be because his research touches on the founding acts of the city’s present political order.

Centuries past, kings from the North came down and, with wizards and companions at their side, intermarried with the nobility who ruled the South. They united the two halves of the land, which grew prosperous with the city as its center and capital. Over time, though, the kings grew increasingly erratic and the wizards’ power waned until eventually a noble rebellion, led by a Duke of Tremontaine, succeeded in binding all of the wizards and killing the last king. Since that time, a nobles have ruled both city and countryside, North and South. The accepted wisdom is that the wizards were charlatans, the kings corrupt and eventually insane.

St Cloud’s work threatens to call that wisdom into question at a time when the North is restless and rumors of royalists run through the city. Theron himself begins to look like a potential plotter, although whether witting or unwitting remains unclear to those on the outside. From his own perspective, Theron is trying to discover who he is, to find the full depth of his love for St Cloud, and to lift some of what he feels is the dead hand of his family on his life.

On the academic side, St Cloud challenges one of his rivals to a public debate, a scholarly duel. St Cloud intends to defend the shocking proposition that magic was real. He had not intended for that to be the subject of the debate, but ideas ran ahead of his good sense, he was not in full command of his tongue. The narrative suggests that magic is at work in what St Cloud blurts out – he has by then acquired what purports to be a long-lost book of spells – but in both of these it was hard for me not to see the authorial hand rather than Fate at work, not least because in the first two books Riverside is set up as such a thoroughly non-magical world. The young scholars have their distinguishing features, but none is as compelling a character as Alec or St Veit from Swordspoint or Katherine from The Privilege of the Sword. Katherine and her long-time friend Marcus turn up in The Fall of the Kings as the current Duchess Tremontaine and her steward, a fusty pair from the old generation. I did not think that was true to Katherine at all, which is completely unfair because The Fall of the Kings was published before The Privilege of the Sword, but it definitely colored my perception of the characters’ interactions.

The book really picks up about three-fourths of the way through; Theron is in way over his head, and his piratical half-sister Jessica arrives from far ports. She’s livelier by far than the various scholars, intriguers, mystics, restorationists and sycophants who had to that point populated the pages of The Fall of the Kings. The last quarter of the book has the brio and panache that made the other two Riverside books so splendid. Finishing strongly is the best aspect of the book. Not everyone survives, not everyone gets the ending they deserve, but Kushner and Sherman tie the story’s strands together satisfyingly.

Permanent link to this article: https://www.thefrumiousconsortium.net/2019/11/03/the-fall-of-the-kings-by-ellen-kushner-and-delia-sherman/

Flunked (Fairy Tale Reform School #1) by Jen Calonita

Ngl, I totally picked up this book based on its cover, after my library website algorithms decided it was a good recommendation. I mean, honestly, just look at that cover! So charming! So irresistible!

Flunked (Fairy Tale Reform School #1) by Jen CalonitaThe novel itself is slight and targeted towards middle-grade readers. It’s alright. The world-building is mild: essentially, a bunch of fairy tale villains decide not only to reform themselves but also offer their services in reforming young delinquents in Enchantasia, a realm now ruled by a coalition of four princesses: Snow White, [Cinder]Ella, Sleeping Beauty and Rapunzel. But not all the villains have abandoned their evil ways, and are rumored to be lurking in the shadows, waiting for the right time to strike.

Gilly is the 12 year-old daughter of a cobbler, whose family are so poor they live in a shoe. She steals from the rich in order to feed her family, to the chagrin of her parents. When she’s busted after her latest heist, she’s carted off to Fairy Tale Reform School, where she soon discovers that things may be even more sinister than they seem.

It’s a cute tale of what happens after Happily Ever After, incorporating a sassy and relatable teenaged heroine, and shedding a new light on familiar characters. I’m not sure if I’ll continue reading this series however, based on this first book. It’s not a long read at all, which would be a point in its favor, but while I enjoy the concept of a female protagonist in a magical school, it lacks the depth that can make books like these appeal to more than its narrow target demographic. Still, if someone recommends the rest of the series, I wouldn’t mind giving it another shot.

Permanent link to this article: https://www.thefrumiousconsortium.net/2019/11/03/flunked-fairy-tale-reform-school-1-by-jen-calonita/

Freshwater by Akwaeke Emezi

Freshwater by Akwaeke EmeziI’m pretty sure I would have liked this more if it had been more speculative fiction and less MFA.

Thing is, it’s an entirely worthy book. If it wasn’t for Freshwater, I would have no idea what a non-binary trans person is, and I’m richer for having found out. But I didn’t find out from the book itself. Gosh, so this is a bit of a rabbit hole: starting from the information that Saachi, our protagonist’s mom, is from Malaysia, I felt compelled to dig more into Akwaeke Emezi’s life, and found a wealth of illuminating essays they’d written on-line as to their upbringing and journey to becoming who they are. And that made the narrative click into place for me, of a person named Ada, born a young girl but really possessed of separate (divine) selves that would, as she got older, come to the forefront as needed, couched in Nigerian Igbo mythology. It’s based on Emezi’s life, and I hesitate to say this but honestly feel that it’s a culturally Nigerian explanation for dissociative identity disorder and body/gender dysmorphia. This doesn’t make it any less valid, of course, but it also didn’t make it terribly interesting. I’m glad that Emezi is telling their story, and their Own Voices perspective is necessary, and introduces some really intriguing cultural aspects to their narrative, but augh, Freshwater is just so fucking MFA.

It’s hard for a coming of age book, especially one born from great pain, to not take itself incredibly seriously but when it’s both “serious” and “arty,” I just lose all patience. Towards the end, especially, the speculative fiction facade falls away and the narrative lies formless, liminal almost, a word the book never tires of invoking. I mean, if an even more navel-gazing Waiting For Godot in novel form is your jam, then you will probably thrill to this novel. Personally, I wanted more mythology, especially in relation to the ending, which would have been lovely had it had a stronger underpinning from the preceding text. I was also annoyed at the sentimentality of the conversations with Jesus, or Yshwa as he’s referred to in these pages. He’s considered a god like the ones inhabiting Ada’s body, only different, which only works for a little while before collapsing from a lack of intellectual rigor. Which, I get it, faith is personal and fungible, but the way it was presented in this book forced me through theological contortions that I found especially annoying because I’m neither Christian nor Igbo and so shouldn’t have to care this much about none of it making sense. I found myself incredibly exasperated and can only imagine how someone who is actually Christian and/or Nigerian would feel.

Anyway, Emezi is a terrific essayist and you should read those works before coming to Freshwater, which is alright if you can stomach the MFA-style writing that predominates towards the end.

Permanent link to this article: https://www.thefrumiousconsortium.net/2019/11/02/freshwater-by-akwaeke-emezi/

Open Borders: The Science And Ethics Of Immigration by Bryan Caplan & Zach Weinersmith

Open Borders: The Science And Ethics Of Immigration by Bryan Caplan & Zach Weinersmith

(with colors by the amazing Mary Cagle)

As an open borders absolutist, I’ve been wanting a book like this to come along for years. Living in the USA, it’s almost mind-boggling that people aren’t more inclined towards immigration, given that the contiguous 48 states are one of the world’s best modern examples of the free movement of labor. Could you imagine Indiana making it illegal to hire someone simply because they’re from Ohio? Or saying they have to get a special permit if they do want to work there? It’s stupid, as are most current immigration laws (and not just in America! Other countries are just as punitive and terrible!)

Bryan Caplan and Zach Weinersmith do a much more comprehensive job than I do here in not only addressing the current state of affairs — primarily in America tho they do touch on global issues — but also advocating for open borders on both economic and humanitarian bases. Their intended audience is American and, presumably, either mildly hostile to their argument or, like me, desirous of backup in the face of the mildly hostile or worse. And they provide A LOT of well-researched backup. They debunk some of the most egregious myths around the subject and advance persuasive cases for not only the overall benefits of immigration but also for keyhole strategies to soften any short-term negative effects, none of which I found particularly onerous to the immigrant once I realized they meant those who were non-citizens. Charging non-citizen immigrants more for the use of certain social services is akin to charging a non-members fee, and is hardly a violation of their human rights, IMO, especially when held up against their freedom of movement altogether (ofc, charging immigrant citizens more than native-born is an entirely different discriminatory kettle of fish.)

This excellently illustrated volume (clean lines, no clutter, lots of sight gags and a really luminous last few pages,) breaks down the heady philosophical arguments cleanly, making it very clear without ever saying so outright that xenophobia and racism are the primary drivers behind restrictive immigration laws. The economic arguments do get a bit convoluted, and the bit where Mr Caplan is arguing with his colleagues seems a wee bit personal, tho I suppose philosophers have been griping about each other in their texts for centuries now (it has been a long time since I’ve waded through the subject, so forgive me if I’m misremembering.) For the most part, this is a strong, easily accessible brief for an important and unfortunately all too contentious subject.

First Second Press has always been one of my favorite publishers and I’m so, so glad they decided to print this. Open Borders is smart, practical and full of heart, and fully fits with their philosophy of quality reading material for all.

Permanent link to this article: https://www.thefrumiousconsortium.net/2019/10/29/open-borders-the-science-and-ethics-of-immigration-by-bryan-caplan-zach-weinersmith/